A Culture Strategy for Scotland: draft for consultation
Public consultation document seeking views on a draft Culture Strategy for Scotland developed following engagement with people across Scotland during 2017.
Endnotes
1
http://www.gov.scot/Resource/Doc/158792/0043111.pdf;
http://www.gov.scot/Resource/Doc/69582/0017085.pdf
4 http://www.chg.gov.ie/app/uploads/2015/09/culture2025_english_irish1.pdf
6 http://unesdoc.unesco.org/images/0005/000525/052505eo.pdf
7 Calhoun, and Sennett, (eds) ‘Practicing Culture’, (2007), London: Routledge
8 Arts Act 2003 c.2, Ireland, http://www.irishstatutebook.ie/eli/2003/act/24/section/2/enacted/en/html#sec2
9 Ofcom, ‘The Communications Market Report:
Scotland’, (2017),
https://www.ofcom.org.uk/__data/assets/pdf_file/0020/104933/cmr-2017-scotland.pdf
10 Scottish Government, ‘Scottish Household Survey’, (2016), http://www.gov.scot/Resource/0052/00525051.pdf
11 Note that the survey records engagement information about a limited list of activities, and therefore may not completely reflect the full range of activities that people do that they consider to be cultural; Scottish Government, ‘Scottish Household Survey’, (2016), http://www.gov.scot/Resource/0052/00525051.pdf
12 Pollock, ’Artist-run galleries and collective studio
spaces in Scotland’, The List (2012),
https://www.list.co.uk/article/46348-artist-run-galleries-and-collective-studio-spaces-in-scotland/
13 UK Live Music Census, ‘Valuing Live Music: The UK Live
Music Census 2017 Report’ (2017),
http://uklivemusiccensus.org/wp-content/uploads/2018/03/UK-Live-Music-Census-2017-full-report.pdf
14 UK Music, ‘Wish You were Here: The Contribution of Live
Music to the UK Economy’, (2016),
https://www.ukmusic.org/assets/general/FINAL_WYWH_2016_print_small.pdf
15 https://www.oscr.org.uk/about-charities/overview-of-scottish-charities
16 Note that this may not account for all arts/cultural/creative
enterprises due to definitional limitations;
http://www.socialenterprisescotland.org.uk/files/4de870c3a3.pdf
17 Naylor, Branzanti, Mclean & Lonie,, ‘Edinburgh
Festivals 2015 Impact Study’, (2016),BOP Consulting:
https://www.edinburghfestivalcity.com/assets/000/001/964/Edinburgh_Festivals_-_2015_Impact_Study_Final_Report_original.pdf?1469537463
18 Scotinform, ‘Orkney Visitor Survey 2012/13’,
(2014),
http://www.visitscotland.org/pdf/Orkney%202013%20Visitor%20Survey_Final%20report.pdf
19 Scottish Government, ‘The Scottish Government Gaelic
Language Plan’,
http://www.gov.scot/publications/scottish-government-gaelic-language-plan-2016-2021//4
20 http://www.gaidhlig.scot/bord/education/primary-education/
21 National Records of Scotland, ‘2011 Census: Key results
on population, ethnicity, identity, Language, religion, health,
housing and accommodation in Scotland- Release 2A’, (2013),
http://www.scotlandscensus.gov.uk/documents/censusresults/release2a/StatsBulletin2A.pdf
22 Scottish Government, ‘Summary of Statistics in Scottish
Schools no. 8; Supplementary data tables’ (2017),
http://www.gov.scot/Topics/Statistics/Browse/School-Education/dspupcensus/dspupcensus17
23 Scottish Government, ‘Analysis of Equality Results from
the 2011 Census - Part 2’, (2015),
http://www.gov.scot/Resource/0047/00476602.pdf
24 National Records of Scotland, ‘2011 Census: Key results
on population, ethnicity, identity, Language, religion, health,
housing and accommodation in Scotland- Release 2A’, (2013),
http://www.scotlandscensus.gov.uk/documents/censusresults/release2a/StatsBulletin2A.pdf
25 Scottish Government, ‘Growth Sector Statistics
Database’, (2017),
http://www.gov.scot/Topics/Statistics/Browse/Business/Publications/GrowthSectors/Database
26 Historic Environment Scotland, ‘Scotland’s Historic Environment Audit’, (2016), https://www.historicenvironment.scot/archives-and-research/publications/publication/?publicationId=e3d0a6d8-4410-49b8-96e8-a6db00bc21b0
27 Creative Scotland, ‘Economic Contribution Study: An
Approach to the Economic Assessment of the Arts & Creative
Industries in Scotland’, (2012),
http://www.creativescotland.com/__data/assets/pdf_file/0010/21403/ECS-Final-Report-June-2012.pdf
28 Creative Scotland, ‘Review of the Film Sector in Scotland’, (2014), http://www.creativescotland.com/__data/assets/pdf_file/0018/25245/Review_of_the_Film_Sector_in_Scotland_-_Jan_2014.pdf
29 Design Council, ‘Designing a future economy’,
(2018),
https://www.designcouncil.org.uk/sites/default/files/asset/document/Designing_a_future_economy18.pdf
30 Scottish Government, ‘Growth Sector Statistics
Database’, (2017),
http://www.gov.scot/Topics/Statistics/Browse/Business/Publications/GrowthSectors/Database
31 Naylor, Branzanti, Mclean & Lonie, ‘Edinburgh
Festivals 2015 Impact Study’, (2016),BOP Consulting:
https://www.edinburghfestivalcity.com/assets/000/001/964/Edinburgh_Festivals_-_2015_Impact_Study_Final_Report_original.pdf?1469537463
32 Scottish Museums and Galleries , ‘Visitor Attraction
Monitor Report’, (2014),
https://www.museumsgalleriesscotland.org.uk/research/visitor-attraction-monitor-report/
33 Scottish Government, ‘The Anholt - GfK Roper Nation
Brands Index(SM): Report for Scotland’, (2016),
/publications/anholt-gfk-roper-nation-brands-index-sm-2016-report-scotland/pages/2/
34 Scottish Government, ‘A Fairer Scotland for Disabled People - Our Delivery Plan to 2021 for the United Nations Convention on the Rights of Persons with Disabilities’, (2016), http://www.gov.scot/Resource/0051/00510948.pdf
35 CIPFA, ‘Public Library Statistics 2014-15 Estimates and 2013-14 Actuals’, (2014), London: CIPFA
38 https://en.unesco.org/creative-cities/creative-cities-map
39 Historic Environment Scotland, ‘Scotland’s Historic Environment Audit’, (2016), https://www.historicenvironment.scot/archives-and-research/publications/publication/?publicationId=e3d0a6d8-4410-49b8-96e8-a6db00bc21b0
40 CIPFA, ‘Public Library Statistics 2014-15 Estimates and 2013-14 Actuals’, (2014), London: CIPFA
41 Museums Galleries Scotland, ‘Visitor Attraction Monitor
Report, Scottish Museums and Galleries’, (2014),
https://www.museumsgalleriesscotland.org.uk/research/visitor-attraction-monitor-report/
42 Scottish Museums Council, ‘A Collective Insight: Scotland National Audit of Scotland’s Museums and Galleries’, (2001), http://www.museumsgalleriesscotland.org.uk/publications/publication/42/national-audit-full-report
43 Visit Scotland, ‘Scotland’s Visitor Survey 2015
and 2016’, (2016),
http://visitscotland.org/pdf/LongVersionScotlandVisitorSurvey2015-16-250417.pdf
44 Scottish Government, ‘Practising Realistic Medicine:
Chief Medical Officer’s Annual Report 2016-17’, (2018),
http://www.gov.scot/Resource/0053/00534374.pdf
45 NHS Wales, ‘Sources of resilience and their moderating
relationships with harms from adverse childhood experiences’,
(2017),
http://www.wales.nhs.uk/sitesplus/documents/888/ACE%20&%20Resilience%20Report%20(Eng_final2).pdf
46 Dodds, ‘Social contexts and health: a GCPH synthesis.
Glasgow Centre for Population Health, (2016),
http://www.gcph.co.uk/assets/0000/5594/Social_contexts_and_health__web_.pdf
47 Scottish Government, ‘Summary of statistics for schools
in Scotland’, (2017),
http://www.gov.scot/publications/summary-statistics-schools-scotland-8-2017-edition/
48 Scottish Government, ‘Mental health and wellbeing among adolescents in Scotland: profile and trends’, (2015), http://www.gov.scot/Resource/0048/00488358.pdf
49 Reed & Stark, ‘Forecasting child poverty in Scotland’, (2018), http://dera.ioe.ac.uk/31454/1/00533637.pdf
50 http://www.gov.scot/publications/child-chance-tackling-child-poverty-delivery-plan-2018-22/
51 Creative Scotland & Young Scot, ‘NYAAG Youth Survey Results’, (2018)
52 Bakhshi, Frey, and Osborne, ‘Creativity versus Robots: The Creative Economy and the Future of Employment’ Nesta (2015), http://www.nesta.org.uk/publications/creativity-vs-robots
53 Arts & Business, Arts Council England, MLA, ‘Digital Audiences: Engagement with Arts and Culture Online’, (2010), http://www.aandbscotland.org.uk/documents/2012-05-28-13-11-39-10-Digital-audiences-for-arts-and-culture-november2010.pdf
54 Arts Council England & Nesta, ‘Experimental Culture: A horizon scan commissioned by Arts Council England’ (2018), https://www.artscouncil.org.uk/sites/default/files/download-file/Experimental_Culture_report_190318.pdf
55 https://scotland.shinyapps.io/scotlandperforms_alpha/#
56 See for example Rae’s work on commuter data in England and Wales; https://www.theguardian.com/cities/gallery/2016/jun/08/how-far-distance-workers-commute-uk-cities-mapped
57 Minority ethnic groups, those from deprived areas, and
younger people, all had weaker feelings of belonging to
communities; Scottish Government, ‘Scottish Household
Survey’, (2016),
http://www.gov.scot/Resource/0052/00525075.pdf
57 Scottish Government, ‘A Connected Scotland: Tackling social isolation and loneliness and building stronger social connections’, (2018), http://www.gov.scot/Resource/0053/00530204.pdf
58 Scottish Government, ‘Scottish Household Survey’, (2016), http://www.gov.scot/Resource/0052/00525075.pdf
59 Leguina & Miles, ‘Fields of participation and lifestyle in England: revealing the regional dimension from a reanalysis of the Taking Part Survey using Multiple Factor Analysis’ Cultural Trends, (2017) 26:1, 4-17
60 Scottish Government, ‘Growing up in Scotland: Family and school influences on children’s social and emotional wellbeing’, (2014), http://www.gov.scot/resource/0045/00452548.pdf
61 Clift, ‘Creative arts as a public health resource: moving from practice-based research to evidence-based practice’, Perspectives in Public Health, (2012), 132(3):120-127
62 National Records of Scotland, ‘Mid-2017 Population Estimates Scotland’, (June 2017), https://www.nrscotland.gov.uk/statistics-and-data/statistics/statistics-by-theme/population/population-estimates/mid-year-population-estimates/mid-2017
63 National Records of Scotland, ‘Mid-2017 population estimates Scotland’, (2018) https://www.nrscotland.gov.uk/files//statistics/population-estimates/mid-17/mid-year-pop-est-17-publication.pdf
64 http://www.parliament.scot/parliamentarybusiness/Bills/105168.aspx
65 For example, Glasgow has the highest concentration of creative industries in Scotland and so offers more job opportunities. Additionally, Edinburgh and Glasgow receive 46% and 31% of national arts funding respectively, whereas the rest of the country receives the remaining 22%; Myerscough, J., ‘Glasgow Cultural Statistics Digest’, (2011), http://www.understandingglasgow.com/assets/0000/5013/Cultural_Statistics_1_Feb_pdf__2_.pdf
66 http://www.legislation.gov.uk/asp/2015/6/contents/enacted
67 http://www.creativescotland.com/__data/assets/pdf_file/0017/21329/Time-To-Shine-Whats-Behind-It.pdf
68 Scottish Government, ‘Scotland’s Economic Strategy’ (2015), http://www.gov.scot/Resource/0047/00472389.pdf
69 Skills Development Scotland, ‘Jobs and Skills in
Scotland: The evidence’, (2017),.
https://www.skillsdevelopmentscotland.co.uk/media/43852/jobs-and-skills-in-scotland-2017-main-report.pdf
70 Creative Industries Federation, ‘Creative
Freelancers’,
https://www.creativeindustriesfederation.com/sites/default/files/2017-07/Creative%20Freelancers%201.0.pdf
71 Town and Country Planning Association, ‘Regenerating Places and Communities through Culture. Case studies’, (2013), http://www.cloa.org.uk/images/stories/Regenerating_places_and_communities_through_culture.pdf
72 Euclid, ‘Assessing the European Union’s contribution to the arts, media and creative industries in Scotland’, (2017), http://www.creativescotland.com/__data/assets/pdf_file/0020/41753/EUFundstoScotlandCS-FINAL.pdf
73 A 2016 report found that respondents in the creative and cultural sector had partnered with organisations across 14 European countries, with numerous projects spanning multiple countries; Creative Scotland, ‘Implications of the UK European Union membership referendum for the creative and cultural sector in Scotland: Report on survey findings’, (2016), http://www.creativescotland.com/__data/assets/pdf_file/0006/36681/EU-Referendum-Creative-Cultural-Sector-Scotland-Survey-Findings.pdf
74 Dass, Goodwin, Wood & Ni Luanaigh, ‘Sector insights: Skills and performance challenges in the digital and creative sector’, (2015), UKCES, https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/433755/Skills_challenges_in_the_digital_and_creative_sector.pdf
75 Brook, O’Brien, & Taylor, ‘Panic! Social Class, Taste and Inequalities in the Creative Industries’, Create London, (2018), http://createlondon.org/event/panic-paper/
76 Brook, O’Brien, & Taylor, ‘Panic! Social Class, Taste and Inequalities in the Creative Industries’, Create London, (2018), http://createlondon.org/event/panic-paper/
77 Creative Industry Federation & NESTA, ‘Creativity
and the Future of Work’, (2018),
https://www.nesta.org.uk/report/creativity-and-the-future-of-work/
78 Dass, Goodwin, Wood & Ni Luanaigh, ‘Sector insights: Skills and performance challenges in the digital and creative sector’, UKCES, (2015), https://assets.publishing.service.gov.uk/government/uploads/system/uploads/attachment_data/file/433755/Skills_challenges_in_the_digital_and_creative_sector.pdf
79 Access to the arts has been affected by a number of
influences, including culturally specific items such as ‘lack
of relevance and previous exposure to certain art forms’ and
‘conservative view’; Scottish Arts Council,
‘Sharing the spotlight: Increasing access and participation
in the arts by Scotland’s minority ethnic communities’,
(2003),
http://www.scottisharts.org.uk/resources/publications/research/pdf/RES12%20Sharing%20the%20Spotlight.pdf
80 Nordicity, ‘Workforce review of the UK offstage theatre
and performing arts sector’, (2017),
http://www.nordicity.com/media/2017622ddqyvkkek.pdf
82 http://www.gov.scot/Publications/2017/11/8263
83 Euclid, ‘Assessing the European Union’s contribution to the arts, media and creative industries in Scotland’, (2017), http://www.creativescotland.com/__data/assets/pdf_file/0020/41753/EUFundstoScotlandCS-FINAL.pdf
Contact
There is a problem
Thanks for your feedback